Tag: Speculative Imaginings

The Bounty Bear from Wim Wenders’ Until the End of the World is a perfect example of a speculative vision for an interface design that is both playful and critical of emerging technology. The Bounty Bear interface …

For some reason, for as long as I can remember, I have had a memory that has constantly played on my mind. I wonder, is it because I have replayed it over and over so many times that it is so vivid, or has it always …

A short excerpt from a performance reading of (an) overGround:underStory

Creating conversations between me (with insight into the protagonist's world model within the written text) and characters in "Twice, again", has brought up questions of how aspects of the ongoing conversation are …

overground-understory.net Gathering fragments from the overGround and the underGround together. More-than-human storytelling in multiple aspects, coming together in a new story–traversed through exploration. …

Presented at ISEA 2024 in Brisbane. This paper investigates how creative practice can facilitate multispecies storytelling by positioning the practitioner as a medium or demiurge—an intermediary in a vast, unknowable …

Exhibitions open across our participating libraries: 18 November (TAFE NSW Ultimo), 25 November (Parramatta and Green Square libraries) and 2 December (UTS). The research team includes Heather Ford, Monica Monin, Andrew Burrell, Suneel Jethani (PhD), and Bhuva Narayan.

Social media post archive of twice, again: Virentis during its install at the Hacking Visual Cultures symposium, 2024

During Climate Action Week, and as part of an ongoing series of more-than-human storytelling events, we are hosting an evening of readings and performances that reveal how storytelling can shape our understanding of, and responses to, the biodiversity and climate crises.

Xenotone:
An overlapping zone of tension between physical and digital ecologies. It is where these two ecologies meet, multiply, compete, integrate and produce something other.

The xenotone does not follow a path, paths form through the xenotone. The encounter with the xenotone happens when physical, digital and speculative paths cross—this crossing need not form an alignment. I've been …

This short paper explores the creative possibilities of working accross computational infrastrcuture, tradtitional story telling and local large language models.