Into the Xenotone did not start with the current iteration of the work. As with any research-led iterative, speculative, design work, it emerged from process and a series of experiments that built on each other. A look at the first in the series of experiments from which Into the Xenotone emerged.
A spoken word slide performance exploring imagined and forgotten network fragments.
The overGround:underStory project provides a platform for knowing through doing. A large part of this doing takes the form of the invitation we made to "slow down, observe, record, ask questions and share" as part of …
Static image material experiments with NeRF "hallucinations"
I have seen the noise created in the Neural Radiance Field generation process as "hallucinations", language that is both poetic and problematic at the same time. Rather than attempting to reduce this visual phenomenon, …
Artist talk: Amala Groom, Andrew Burrell and Madeleine Collie in conversation
Our "in conversation" at the UTS Gallery has some interesting insights into the nature of collaborative practice and how the work came to be.
Where I recall A Pair of Red Mittens with White Cross-stitch Patterning and a Train Full of Monsters.
For some reason, for as long as I can remember, I have had a memory that has constantly played on my mind. I wonder, is it because I have replayed it over and over so many times that it is so vivid, or has it always …
A favourite speculative interface.
The Bounty Bear from Wim Wenders’ Until the End of the World is a perfect example of a speculative vision for an interface design that is both playful and critical of emerging technology. The Bounty Bear interface …