Fractured and fragmented selves: Queer approaches to designing virtual experiences Virtual Creativity, Volume 13, Issue 1, Apr 2023, p. 7 - 28 This article presents an overview of three queer virtual reality projects, …

There are strong through-lines to the final memorial from this early proposal and much of what I love about this early vision remains in the memorial as it stands in Darlinghurst today.

Creating conversations between me (with insight into the protagonist's world model within the written text) and characters in "Twice, again", has brought up questions of how aspects of the ongoing conversation are …

doi.org/10.16995/dscn.9597 Abstract This paper explores the design and material considerations for creating design-led digital humanities information visualisations using open and accessible web-based tools. It examines …

The overGround:underStory project provides a platform for knowing through doing. A large part of this doing takes the form of the invitation we made to "slow down, observe, record, ask questions and share" as part of …

I have seen the noise created in the Neural Radiance Field generation process as "hallucinations", language that is both poetic and problematic at the same time. Rather than attempting to reduce this visual phenomenon, …

Trailer for the spoken word / slide performance of "What Raven Saw [an] overGround:underStory". Performed under the 48:9 screen at UTS Central (Broadway, Sydney) for the School of Design's Visual Knowledges research …

A short excerpt from a performance reading of (an) overGround:underStory

Our "in conversation" at the UTS Gallery has some interesting insights into the nature of collaborative practice and how the work came to be.

Exhibition catalogue Download the catalogue can’t buy me love is extended by a publication with production images, an introduction by curator Stella Rosa McDonald, a conversation between artists Amala Groom and Andrew …