Read to Me @ Knox Street bar, August 2nd 2022

Our in conversation at the UTS Gallery has some interesting insights into the nature of collaborative practice and how the work come to be.

Amala Groom, Andrew Burrell and Madeleine Collie in conversation from UTS Gallery & Art Collection on Vimeo.

Exhibition catalogue

Download the catalogue

can’t buy me love is extended by a publication with production images, an introduction by curator Stella Rosa McDonald, a conversation between artists Amala Groom and Andrew Burrell and an essay by Madeleine Collie.

Design by Daryl Prondoso.

Uncanny Landscapes: Tactile and Experiential Encounters with Ecological Data
Zoë Sadokierski, Monica Monin and Andrew Burrell

"Communicating complex ecological issues such as anthropogenic climate change and the effects of capitalist culture on diverse ecologies is difficult. Challenges include communicating phenomena that occur over unimaginable timescales and are often invisible to the naked eye; making these global phenomena relatable on a local and individual scale; and, instilling an understanding of the human species as enmeshed (Morton 2012) and entangled (Tsing et al. 2017) within complex ecologies, in order to foster attention and care for the world."

In: Making Data: Materializing Digital Information
Editor: Ian Gwilt
Bloomsbury Publishing, 24 Mar 2022

Via an invitation from Runway Journal I have spent the week at the Bundanon education centre, in residence with members of the Runway team and other contributors to issue 45: Asemic. (As is so often the way with these things, there may have been Karaoke!)

Following a process of discovery via non-human mark making in the landscape, this has led to the ongoing development of a new work overGround:underStory.

Image: One of many lidar scans of wombat hills and burrows created during the residency that inform the ongoing making of this new work.

Bundanon is on Wodi Wodi and Yuin Country and I acknowledge the Wodi Wodi and Yuin people's continued connection to the Country I spent time on, and that sovereignty of that land was never ceded.

Abstract:

This article explores a way of thinking about virtual environments and how they might be used to create new spaces, not as an alternate reality, but as an integrated part of reality ‐ regardless of this reality being physical and/or digital. Virtual environments can be seen as an extension of reality ‐ the physical and the virtual sitting side by side with one, more often than not, bleeding into the other. The virtual is not separable from the physical and vice versa. This position will be formed by directly referring to traditions that stem from processes and ideas around materiality, poetics and philosophy rather than centring on technical or hardware specifics. At the centre of this exploration is an ongoing investigation into the role of memory and imagination in narrative spaces in immersive virtual environments, stemming from the author’s background in interactive Installation art and designing for virtual environments. The article’s subtitle refers to Robert Morris’s 1978 article, ‘The present tense of space’, which informs the article’s overall position.

Publisher: Intellect
Citation: Virtual Creativity, 2021, 11, (1), pp. 91-109
Issue Date: 2021-06-01